“The three principals I heard in this double-cast production brought dramatic fervour and vocal excellence of a standard that easily surpassed the trio who'd sung a day or two earlier at a major London house"
Mark Valencia, Opera, January 2025

★★★★★ “It’s a fantastic production which deserves to be more widely seen"
The Reviews Hub

★★★★ “The music is as delightful and lyrical as one would expect from Donizetti and, on the basis of this production, it is certainly worth seeing in all its over-the-top Gothic glory"
Bachtrack

★★★★ “Congratulations to Gothic Opera for a musically strong and involving performance"
Mark Aspen

★★★★★ “In a way, the purest operatic experience I've had for a while"
Robert Thicknesse, Opera Now, Spring 2025

Maria de Rudenz: Daniella Sicari / Lorna McLean
Corrado di Waldorf: Theo Perry / Kieran Rayner
Enrico: James Beddoe / Davide Basso
Matilde di Wolf: Alice Usher / Béatrice de Larragoïti
Rambaldo: Harrison Gration / Gheorghe Palcu
Chancellor / chorus: Jamie Formoy
Chorus: Valerie Wong, Katey Rylands, Alexander White, Samuel Snowden, Joe Ashmore

Clarinet: Guillermo Ramasasa
Violin 1: Daniel Jung
Violin 2: Lorenzo Narici
Viola: Noemi Foschi
Cello: Erlend Vestby
Organ: Joshua Simões

Director: Lysanne van Overbeek
Conductor: Anna Castro Grinstein
Arranger: Leon Haxby
Set & Costume Designer: Nate Gibson
Lighting Designer: Luca Panetta
Costume Supervisor: Evelien van Camp
Répétiteur: Adrian Salinero Negro
Assistant Director: Dorota Nowak

Producer: Helene Mathiesen
Production Manager: Josh Collins
Stage Manager: Daisey Friend
Deputy Stage Manager: Vendy Pospisilova
Wardrobe Assistant: Helen Gardner
Surtitles Operator: Adam Gammie

Graphic Designer: Max Dabbs
Production Photography: Craig Fuller
Trailer: Erica Belton